Movie Nights in the Park

On July 21, 2018, in Latest News, by The Somerville Times

Last Fridays in July, August and September at Chuckie Harris Park, 3-17 Cross Street

Join Somerville Media Center, East Somerville Main Streets and Arlington International Film Festival the last Friday of July, August and September for Free Movies in the Park! We are excited to be turning the Chuckie Harris park back into a movie theater where we will all be able to enjoy movie screenings for various countries! Movie nights accompanied by music & local artists! There will also be food and drinks from local businesses.

Films start at dusk / Music and drinks start one hour before. All movie nights go from 7:00 – 10:00 p.m.

Movie Nights in the Park Schedule:

July 27
Come enjoy a selection of shorts from the Arlington International Film Festival, including the German film Fiddlesticks directed by Veit Helmer, and Honk: A Festival of Active Street Bands, directed by Patrick Johnson, as well as live performances by School of Honk.

August 31
Revel in a selection of International shorts curated by the Arlington International Film Festival, including Best Nar short 2017, Fist People, directed by Dong-ki An, Johnny Express, an animation directed by WOO Kyungmin, and more.

September 28
Come experience International shorts from the Arlington International Film Festival, including the Best Documentary Short winner Phil’s Camino by Annie O’Neil, the Best Of Festival Short Sisak, by Indian director Faraz Ansari, and The Typewriter Repairman by Emmy award-winning producer and three-time Emmy nominate Director Thomas Draudt.

 

1 Response » to “Movie Nights in the Park”

  1. Joe Beckmann says:

    Retired, I start each day reading – news like the Times – and then take a break with a huge online movie library. Recently I saw The Search (1948), which was about a US soldier, played by Montgomery Clift, help a 9 year old find his mother, in Germany, after Auschwitz split them – the way Trump’s ICE splits families. This parallel was painful, and obvious. Yet in one scene the film shows truck fulls of Auschwitz children going to Israel, since their families were already dead. And that scene implies why this kind of “compassion” is all the more dreadful. What are we creating in the “New South”?